例句與造句

1. "' Peter Robb "'( born 19 July 1994 ) is a professional rugby union player from Ireland.
2. Caravaggio biographer Peter Robb points out that the brooding, introverted mood of this painting is strikingly similar to that of a " Kansas City, painted at about the same time.
3. More recently Caravaggio biographer Peter Robb has identified him as Caravaggio's companion Mario Minniti, the model for several other paintings from this period including " The Fortune Teller ".
4. An identification has also been made, ( notably by the journalist Peter Robb in his 1998 biography of Caravaggio, " John the Baptist " in the Capitoline Museum in Rome.
5. WITH : BIOGRAPHY-- Peter Robb has prepared an exhaustive look at artist Caravaggio . ( Harrison, Atlanta Journal-Constitution ) Art includes a 6-pica color photo of book jacket.
6. It's difficult to find peter robb in a sentence. 用peter robb造句挺難的
7. Peter Robb addresses " M : The Man Who Became Caravaggio " not to the specialist but to the general reader who is interested in Caravaggio, as everybody seems to be these days.
8. Peter Robb, taking the painting to be by Caravaggio, dates it to about 1598, when the artist was a member of the household of his first patron, Cardinal Francesco Maria Del Monte.
9. "There's a tremendous amount of disappointment, but I would say it wasn't an entirely unexpected turn of events, " said the Rev . Peter Robb, a Catholic priest.
10. Why then leave all this for a speck of rock inhabited by warrior-monks noted more for their fighting ( Peter Robb compares them to the French Foreign Legion ) than for their support of the arts?
11. "Midnight in Sicily " is a wonderful book and an outstanding debut for its author, Peter Robb, an Australian who lived and taught in Italy for 14 years and didn't miss a thing.
12. By Peter Robb . ( John Macrae / Holt, $ 30 . ) A biography of the great painter and troublemaker who came to Rome in 1592 and disappeared 18 years later, leaving behind his works and a lot of rumors.
13. In the book " M : The Man Who Became Caravaggio, " published in 1998, Peter Robb took up one compelling argument : that Caravaggio may well have seduced a page among the crowded ranks serving Wignacourt, angering the Grand Master.
14. This would date the work to the mid-1590s, but it seems far more sophisticated than anything else known from that period of Caravaggio's career, and Peter Robb, in his 1998 biography of Caravaggio, dates it to about 1598.
15. While John Gash ( 2003 ) accepts Mancini's testimony, others, including Peter Robb and Helen Langdon ( both 1998 ), have raised the possibility that it was painted for Cardinal Francesco Maria Del Monte, who made Caravaggio in effect his household artist from about 1595 or 1596.
16. Or, as Peter Robb puts it in this intellectually potent new Caravaggio biography, this was not death " as resurrection, transcendence, rebirth, vindication " : it was " death as the loss of physical life, death as coldness, weight, silence, immobility ."
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